精确搜索找到Benois名画绘画作品集

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阿尔伯特·尼古拉耶维奇·贝努瓦（Albert Nikolaevich Benois）-Albert Nikolaevich Benois

Der Luganer See--Albert Nikolaevich Benois (俄罗斯, 1852-1936)

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阿尔伯特·尼古拉耶维奇·贝努瓦（Albert Nikolaevich Benois）的《从Eyüp墓地看伊斯坦布尔》-Albert Nikolaevich Benois

A view of Istanbul from Eyüp Cemetery--Albert Nikolaevich Benois (俄罗斯, 1852-1936)

下载阿尔伯特·尼古拉耶维奇·贝努瓦（Albert Nikolaevich Benois）的《从Eyüp墓地看伊斯坦布尔》大图

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阿尔伯特·尼古拉耶维奇·贝努瓦（Albert Nikolaevich Benois）设计的菜单卡，可看到伏尔加河畔的下诺夫哥罗德-Albert Nikolaevich Benois

Design for a menu card with a view of Nizhny Novgorod on the River Volga--Albert Nikolaevich Benois (俄罗斯, 1852-1936)

下载阿尔伯特·尼古拉耶维奇·贝努瓦（Albert Nikolaevich Benois）设计的菜单卡，可看到伏尔加河畔的下诺夫哥罗德大图

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阿尔伯特·尼古拉维奇·贝努瓦-

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(St. Petersburg 1852–1936 Fontenay-aux-Roses)
Landschaft in Finnland, kyrillisch signiert, rückseitig altes Etikett “10. Wiener Internationale Messe, 7.-13. März 1926”, Aquarell auf Malkarton, 38,5 x 29,5 cm, Passepartout, gerahmt, leichte Abreibungen

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“里加证券交易所的观点”-Albert Nikolaevich Benois

View Of The Riga Stock Exchange--Albert Nikolaevich Benois (俄罗斯, 1852-1936)

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阿尔伯特·尼古拉耶维奇·贝努瓦的《芬兰的风景》-Albert Nikolaevich Benois

A Landscape in Finland--Albert Nikolaevich Benois (俄罗斯, 1852-1936)

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阿尔伯特·尼古拉耶维奇·贝努瓦的《涅瓦河上》-Albert Nikolaevich Benois

On the Neva River--Albert Nikolaevich Benois (俄罗斯, 1852-1936)

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阿尔伯特·尼古拉耶维奇·贝努瓦的《满月下的海岸》-Albert Nikolaevich Benois

满月下的海岸--Albert Nikolaevich Benois (俄罗斯, 1852-1936)

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阿尔伯特·尼古拉耶维奇·贝努瓦《芬兰湾的日落》-Albert Nikolaevich Benois

Sunset on the Gulf of Finland--Albert Nikolaevich Benois (俄罗斯, 1852-1936)

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BENOIS, ALEXANDRE. 1870-1960.:Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932, watercolor, ink and graphite, 308 x 193 mm (12 1/8 x 7 1/2 inches), signed by Benois in pencil in lower left corner.

Benois founded the Mir iskusstva [World of Art] group with Sergei Diaghilev and was one of the most important designers of the Ballets Russes, second only to Léon Bakst. His best known sets and costumes were done for the original production of the Stravinsky ballet Petrouchka (1911) based on his idea. Benois emigrated to France in 1927 and continued to work for the theater in Paris, Milan, London, New York and elsewhere. Both Benois and Balanchine were associated with the Ballets Russes de Monte-Carlo, the successor to the original Ballets Russes, that formed after Diaghilev\'s death in 1932. Balanchine revived his ballet in 1979 for the New York City Opera with the assistance of Jerome Robbins and Peter Martins and Rudolph Nureyev in his first Balanchine production. Sold with 3 additional costume designs, two from an unknown artist, and one in pencil attributed to Georgii Yakulov.

亚历山大，贝努瓦。1870-1960. Jourdain先生为莫里哀（Molière）的《布尔乔亚传奇》（Le Bourgeois Gentilhome）巴兰钦芭蕾舞团的服装设计，由蒙特卡洛芭蕾舞团（Russe de Monte Carlo）于1932年制作，

下载亚历山大，贝努瓦。1870-1960. Jourdain先生为莫里哀（Molière）的《布尔乔亚传奇》（Le Bourgeois Gentilhome）巴兰钦芭蕾舞团的服装设计，由蒙特卡洛芭蕾舞团（Russe de Monte Carlo）于1932年制作，大图

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Alexandre Benois: Design for Lucia di Lamermoor
indistinctly signed (lower left); indistinctly titled (lower right); further signed, dated and titled \'Alexandre Benois 1926/Lucia di Lamermoor\' (on the reverse)
watercolour with pen and ink
25.4 x 40.6cm (10 x 16in).

亚历山大·贝努瓦 Lucia di Lamermoor设计

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材质 : Watercolor

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Albert Nikolajewitsch Benois-Meeresküste bei Vollmond, Ca. 1890.

阿尔伯特·尼古拉耶维奇·贝努瓦-满月时的海岸，大约1890年。

下载满月时的海岸，大约1890年。-阿尔伯特·尼古拉耶维奇·贝努瓦大图

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ALEXANDRE BENOIS:Study of a flower fairy from \'La Belle au Bois Dormant\'
signed with the artist\'s initials and dated \'AB 1953\' (lower left) and inscribed (upper left and upper right)
watercolour heightened with gold, pen and ink and pencil on paper
24.2 x 16.5cm (9 1/2 x 6 1/2in).
Executed in 1953

亚历山大·本努瓦 “La Belle au Bois Dormant”花仙子的研究

下载亚历山大·本努瓦 “La Belle au Bois Dormant”花仙子的研究大图

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RUSSIAN ART JOURNAL.:Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926. 14 issues in 13 volumes (No. 4/5 double issue). 4to (315 x 240 mm). Illustrated in color and black and white, with many plates tipped in. Original color lithographed wrappers. Some issues missing spines with pages detached; internal tears and some loss.

A COMPLETE SET OF THE RARE RUSSIAN EMIGRE LITERARY ART MAGAZINE IN ORIGINAL ISSUES, reportedly no more than 300 copies were printed. Supplemental summaries of the numbers were provided in the back in a variety of languages including English. Zhar-ptitsa was the most influential art journal of the flourishing community of exiles who were feverishly trying to keep the culture of Old Russia alive. Due to paper shortages and extensive censorship by the Bolsheviks back in the USSR, the Russian book business was booming in Germany and France. This lavish periodical was the natural successor to S. Diaghilev\'s Mir iskusstva since many of those involved had been members of the World of Art Group and designers for the Ballets Russes. The rich selection subjects and contributors under A. E. Kogan\'s art department embraced L. Bakst, A. Benois, I. Bilibin, M. Chagall, S. Chekhonin, N. Goncharova, B. Grigoriev, B. Kustodiev, M. Larionov, V. Shukaev, K. Somov, S. Sudeikin and many other important artists. Poet Sasha Cherny was literary editor; and such important writers as L. Andreev, K. Balmont, I. Bunin, V. Khodasevich, B. Pilnyak, A. Remizov, N. Teffi, A.N. Tolstoi, B. Zaitsev, and the young Vladimir Nabokov (as \"V. Sirin\") appeared in its pages. Fekula called Zhar-ptitsa \"perhaps the most famous of post-revolutionary art journals, whose contributors threw new light on the development of Russian art at the beginning of the twentieth century.\" According to Vengerov, \"Even separate issues of the magazine, let alone complete sets of its issues, are a great bibliographic rarity.\" Fekula 5742; Vengerov Staraya russkaya kniga 105.

俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林：Russkoe Iskustvo，1921年8月至1926年1月。

下载俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林：Russkoe Iskustvo，1921年8月至1926年1月。大图

下载象征主义艺术家大全 - 象征主义都有哪些画家？大图